They're back! If you're looking for a safe place to trick-or-treat on Halloween night, dress up in your favorite costume, grab your candy baskets, and join us for trick-or-treating and an outdoor showing of the classic Halloween movie, Hocus Pocus (PG)! Schedule this into your Halloween plans, or stay for the whole movie!Watson branch will close at 5:00 pm. Trick-or-treating and movie showing will begin at 6:30 pm. Please bring your own chairs or blankets to make yourself comfortable. Registration is required.WAT: Monday, October 31 at 6:30 p.m.
Hindi Movie Trick Full Movie
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Uri: The Surgical Strike An Indelible Tale of the Indian ArmyAn award-winning film Uri: The Surgical Strike, is based on true events. The movie has a different place in the hearts of all the citizens of India. Uri's movie revolves around the surgical strike the Indian army underwent in 2006 after the attack on Uri, a town in Jammu and Kashmir. The fictional and action movie narrates the tale of Colonel Kapil Yadav of one of the Special Forces, Para.
The surgical strike movie, Uri, had a $25 million budget. However, to everyone's surprise, it earned more than $359 million globally. The Box Office referred to the Uri movie as a "Blockbuster."
The 29th highest-grossing Hindi film of all time, Uri, was announced in September 2017 by Ronnie Screwvala, the movie's producer. Aditya Dhar has directed and written the main story of the movie. The URI movie release date was 11th January 2019 in theaters and 19th March 2019 on Zee5.
Uri; The Surgical Strike has also won and has been nominated for many film festivals, either national or international. A powerful script also needs dramatic acting. The movie turned out to be a megahit because of the acting skills of the main leads. Vicky Kaushal played the role of Major Vihaan Singh Shergill (a character based on col. Kapil Yadav), Riva Arora as Suhani Kashyap, Vihaan's niece, Swaroop Sampat as Suhasini Shergill, Vihaan's mother, Mohit Raina as Major Karan Kashyap (Vihaan's brother in law in the movie), and Rajit Kapoor as Prime Minister of India (a character based on Narendra Modi).
The movie has five different chapters: The Seven Sisters (North-east), An Unsettling Peace (New Delhi), Bleed India with Thousand Cuts (Uri, Jammu Kashmir), Naya Hindustan (New India), and The strike (POK, Pakistan). All five chapters play a very important role in understanding the root cause of the surgical strike in Pakistan.
Everyone recalls the favourite dialogue of the film, 'how is the josh' by Vicky Kaushal. His action was so natural and fantastic. He fits the protagonist of the movie and is an Indian army man. He has uplifted the energy level in all the scenes of the movie. As the protagonist, Vicky possessed the physical and steely resolve that the role demanded.
There are only a handful of movie characters so real that the audience refers to them as touchstones. Fast Eddie Felson is one of them. The pool shark played by Paul Newman in "The Hustler" (1961) is indelible--given weight because the film is not about his victory in the final pool game, but about his defeat by pool, by life, and by his lack of character. This is one of the few American movies in which the hero wins by surrendering, by accepting reality instead of his dreams.
Billiards is the arena for the movie's contests, but there is no attempt to follow the game shot by shot, or even to explain the rules. The players are contesting each others' inner strength. The film could be about any seedy game depending on bluff, self-confidence, money management and psychology: It was remade as "The Cincinnati Kid," about poker. The world of pool halls, flophouses, bars and bus stations provides no hiding place. You will eventually reveal what you are made of, and pool is a game where skill can carry you only so far.
The film provided Paul Newman's breakthrough into the first rank of Hollywood actors, but it is instructive to see how important the other actors are; how "The Hustler" benefited by being made before the big-money star was required to appear in almost every shot. The test of Newman's character comes not so much at a pool table as in his relationship with Sarah Packard (Piper Laurie), whose story is told as fully as Felson's own; this is not one of the macho 1990s movies in which the filmmakers are unable to see a woman except in the simplest terms. The real contest in "The Hustler" is not between Fast Eddie and Minnesota Fats, but between Eddie's love for Sarah and his self-destructive impulses.
George C. Scott, as the cold, vicious gambler and manager Bert Gordon, was appearing in only his third movie. He has the absolute authority we would see again and again: the air of a man serenely himself. The way he plays against Sarah, with a cruel word here and a whispered suggestion there, is as hard and painful as his order to have Eddie's thumbs broken. Bert is always calculating. When he tells Eddie he's a "loser," we know he says that to goad him to win or push him to lose; he's never just supplying his opinion.
The movie was produced and directed by Robert Rossen, a writer from the 1940s who first refused to "name names" when called in the McCarthyite witchhunt, and then changed his mind, said he had been a communist, and named 57 others. That was the price he paid to be able to work, and there must be a shadow of that price in the compromises Fast Eddie is asked to make. The movie, based on a novel by Walter Tevis, was written by Rossen and Sydney Carroll, and filmed in black and white CinemaScope by Eugene Shuftan, who won an Oscar. To see why b&w is the right choice, contrast it with Martin Scorsese's "The Color of Money" (1986), also starring Newman as Fast Eddie, but looking too bright and alive for the stygian gloom of the billiard parlor at midnight. (Newman won his only Oscar for "Color"--ironic, unless it was belated amends for "The Hustler").
When Bert wants to take Eddie to Louisville for a big-money match with the millionaire Findley (Murray Hamilton), Eddie caves in to Sarah's tears and takes her along. Bert sees her as a rival and expertly and mercilessly destroys her in a few days; learning that Eddie's broken thumbs have healed, he says, "I'd hate to think I was puttin' my money on a cripple"--a line aimed straight at Sarah. And when she is drunk and leaning against a wall at Findley's party, he approaches her and says something into her ear, something we cannot hear, that causes her to throw her drink at him and then collapse, and sets in motion the process of her death. That the movie attends to these two supporting actors, gives heft to their rivalry, adds depth and savor to the story. Watching it, we reflect that many modern movies are one-dimensional and linear, telling one story about one character with superficial haste.
Remembering the movie, I thought the second match was the longer one, lasting all night and into the next day. But Minnesota Fats is such a legendary character and Eddie's need to defeat him so burning that Rossen wisely realizes he doesn't need to replay the first long match to get the effect. This was the fourth film edited by the great Dede Allen (her next would be "Bonnie and Clyde"), and she finds a rhythm in the pool games--the players circling, the cuesticks, the balls, the watching faces--that implies the trance-like rhythm of the players. Her editing "tells" the games so completely that if we don't understand pool, we forget that we don't.
The film is populated with an unobtrusive gallery of bit players. Willie Mosconi, for years the U.S. billiard champion, has a walk-on as "Willie," who holds the money for an early match; he also performed some of the movie's trick shots, although legend has it Gleason made his own shots and Newman most of his. Murray Hamilton (Mr. Findley) had a famous role six years later as Mr. Robinson in "The Graduate." One of the bartenders is the Raging Bull, Jake LaMotta. Myron McCormick, a stage actor who appeared infrequently in films, plays Eddie's first manager--battered, honest, cast aside by Eddie on the way to the top.
Among the male faces in the movie, most of them old, weathered, cold or cruel, Paul Newman's open and handsome looks are a contrast. But the casting is correct. He isn't too handsome for this ugly world, but a hustler who trades on his boyish grin and aw-shucks way of asking if anybody feels like a game. His face has gotten Eddie almost as far as his pool skills. He doesn't look like a hustler, but then the best ones never do.
Sam, or Samhain, is the brainchild of film director/writer Michael Dougherty, appearing as the main protagonist in Dougherty's 1996 short film Season's Greetings, and the anti-villainous main protagonist in the 2007 horror movie Trick 'r Treat.
Sam appears as a seemingly innocent young trick-or-treater, dressed in orange footy pajamas with yellow patches sewn on the front and tattered brown gloves. His large, round head is covered by a simple burlap mask tied around his neck, with black button eyes and a stitched-on grin. Once his mask is removed, however, it reveals his demonic nature- his bald, bulbous head is covered with sickly orange flesh, and has a wide mouth full of sharp, crooked teeth. Combined with his black, angular eye sockets and a triangular hole where his nose would be, Sam's head resembles a traditional jack-o'-lantern. He also carries around a large burlap sack full of candy, razor blades, and possibly a live cat. When shot and dismembered, Sam's insides are shown to be made of pumpkin guts.
So, if yours is a group that neck deep in laziness, dumb charades is your go to game - the ultimate cure for every slacking party. And nothing will come more handy than a list of some of the weirdest but legit Bollywood movies, to win that game for your team.
Yeah I know, you probably are pro enough to know of movies like Albert Pinto ko Gussa Kyun Aata hai, Allah Mehraban To Gadha Pehalwan and Howrah Bridge Par Latki Laash. You've probably used these names in your childhood, but the movies listed below are next level weird. And no, these do not include Bhojpuri titles. Bollywood is crazy enough in itself to ensure you a heavy handed win. 2ff7e9595c
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